epsom visual communication reference archive

2017/03/06

WE DON'T KNOW HOW TO LOVE ANYMORE.

http://scholarworks.smith.edu/cgi/viewcontent.cgi?article=1736&context=theses

</3
Newer Post Older Post Home

Search

Blog Archive

  • ►  2019 (3)
    • ►  February (3)
  • ▼  2017 (34)
    • ►  October (6)
    • ▼  March (28)
      • Classic example of design bullshit, redesign of Pe...
      • Jack Archer, typeface from televisions
      • Seen, a typeface that censors words tracked by the...
      • Ma-tt-er, website showcasing interesting projects ...
      • WooJai Lee, designer playing with material
      • Understanding Generation Y and their use of social...
      • Typequality, a platform for female type designers-...
      • WE DON'T KNOW HOW TO LOVE ANYMORE.
      • Augmented reality consumerism, try on things you c...
      • David Bowen, tele-present water, real time data vi...
      • Laika, responsive typeface
      • Fit, variable typeface
      • Tinkafont, type design app
      • Lisa Carletta, 3D body scans
      • The Manual Input Sessions, Golan Levin & Zachary L...
      • John Morgan studio making work that is 'of a place'
      • Heterotopias, spaces that encapsulate spatio-tempo...
      • Sprawl.space, politicised moving image, type and w...
      • Migration, national identity, patriotism
      • Psychogeography, Guy Debord and the Derive
      • Vault of VHS, an archive for anyone interested in ...
      • Millennialism is part of an expected cycle
      • How to Explain the Millennial Generation? Understa...
      • Luke Pendrell, interesting moving image
      • Metaflop, typeface distorting
      • Peter De Potter
      • Sister Corita, the screen printing activist nun
      • HOLO magazine, new publication charting 'Emerging ...
Simple theme. Powered by Blogger.